Yasmina Black; Masters in Design Whitehouse Institute of Design 2016. Solo exhibitions: The Shop Gallery 2016 and 107 Projects 2014. Collaborative costumed tableau at Underbelly Arts Festival- Cockatoo Island 2013, Campbelltown Arts Centre 2013, Pop Remix- Roy Lichtenstein exhibition Launch, National Gallery 2013, Black and White Dinner- Launch Art Month, Performance Space 2012
My work explores the whimsical, fantastical and surreal. Through the traditional practice of millinery I combine old world nostalgia with a quirky irreverence. Dainty and romantic, or bold and challenging, I use visual metaphors to portray a poetic vision, with a hint of the ridiculous.
I explore the beauty of winged creatures, using line, shape and curves to express the subtly of movement, fragility and elegance present in nature. I draw inspiration from a subtle suggestion of line, or an expression of colour. I am fascinated by the vibrant and diverse colours, textures and shapes found in the natural world; it is an infinite source of inspiration.
Recently I expanded my practice beyond the confines of a hat into other mediums. Using skills and techniques acquired from millinery and hat making materials such as felts and feathers, I have made the natural progression into sculpture and began experimenting with animation.
My work explores the whimsical, fantastical and surreal. Through the traditional practice of millinery I combine old world nostalgia with a quirky irreverence. Dainty and romantic, or bold and challenging, I use visual metaphors to portray a poetic vision, with a hint of the ridiculous.
I explore the beauty of winged creatures, using line, shape and curves to express the subtly of movement, fragility and elegance present in nature. I draw inspiration from a subtle suggestion of line, or an expression of colour. I am fascinated by the vibrant and diverse colours, textures and shapes found in the natural world; it is an infinite source of inspiration.
Recently I expanded my practice beyond the confines of a hat into other mediums. Using skills and techniques acquired from millinery and hat making materials such as felts and feathers, I have made the natural progression into sculpture and began experimenting with animation.